收拾收拾 Tidy Up, Tidy Down


藝術家 Artist /鄭芳宜 Cheng FangYi、呂妙盈 Lu MiaoYing、魯志楷 Lu ChihKai


窯座,台中,台灣
Yáo, Taichung, Taiwan


2026.5.30-6.14




《收拾收拾》展覽主視覺


“Tidy Up, Tidy Down” Exhibition Key Visual







回憶起幾個平凡而私密的時刻 —— 搬家時,在車庫翻出一箱早已忘記是否該丟棄、也不知道該放去哪裡的收藏;或是看著工作室的桌面逐漸變得凌亂,卻又捨不得一次整理乾淨。當這些被暫時放置的心情聚集在一起,會構成什麼樣的空間呢?

鄭芳宜、呂妙盈、魯志楷分別從不同的材質與關注著手,體現「收拾」作為一場藝術家的修行,創作就是在累積的同時一邊捨去,反覆之中,試著讓事情保持平衡。

《收拾收拾》所展出的作品,正源自他們拾取影像及物件的經歷。這些舶來的寶藏都曾屬於另一個時空,帶著距離和來歷不可考的未知性。在這裡,藝術家與觀者的記憶被攤開,並從彼此重合之處延展開來。當事物仍停留在尚未被整理的狀態時,「收拾」這個動作,也將由每一位來者,在各件作品之間繼續進行下去。

Recalling a few ordinary and private moments — coming across a box of collected items in the garage, unsure whether it should have been thrown away or where it belongs; or watching a studio desk gradually become cluttered, yet hesitating to tidy it all at once. When these suspended feelings gather together, what kind of space might they form?

Cheng FangYi , Lu MiaoYing , and Lu ChihKai began from different materials and concerns, approaching “tidying” as an artistic practice. For them, creation involved accumulating while simultaneously letting go, and through this repetition, attempting to maintain a sense of balance.

The works presented in Tidy Up, Tidy Down emerge from their process of collecting images and objects. These imported fragments once belonged to another time and space, carrying a sense of distance and an untraceable origin. Here, the artists’ memories and those of the viewers are laid out and begin to extend from their points of overlap. While things remain unorganized, the act of “tidying” continues — taken up by each visitor as they move among the artworks.









︎展覽評論


︎在場、封箱然後保持乾淨:收拾收拾 Tidy Up, Tidy Down 展覽




© Copyright Lu Chih Kai 2026