設定風景： 魯志楷個展
Setting Scenery：Chih Kai Lu Solo Exhibition

洪建全基金會，台北，台灣
Hong-Foundation, Taipei, Taiwan

2026.5.12-6.28

《設定風景》展覽紀錄

Documentation of Setting Scenery” at Hong-Foundation.

《設定風景》展覽作品配置圖


Exhibition layout for Setting Scenery

某地之所以為風景，往往伴隨著多重條件的交織，聚落分佈、治理機制，以及長時間累積的觀看習慣，這些因素構成風景被理解與記憶的方式，也形塑人們對自然、地理與人文的想像。

從早期由郵票設計師李光棋繪製、政府印製流通的風景郵票，到當代觀光景區監視器持續直播的官方串流平台，我長期關注風景如何透過不同的技術條件被建構，藉由擷取、預錄、並重組台灣景區的即時影像，回望肉身、介面與景點之間的相互關係。 

本展覽將呈現四件作品：從 2024 年〈設定風景：鏡面測試〉對景區監視器現場的介入實驗開始，延伸至〈雨景01：石梯坪〉、〈雨景02：台北101〉對螢幕內外感官經驗的穿引，以及〈重疊寫生〉中不同時代風景圖像與觀看方式的再次疊映。

風景在制度、媒介、取景位置的安排下，逐步成為可被辨認的視覺邏輯，《設定風景》藉由錄像、行動、裝置及現成物件的並置，呈現風景背後所隱含的觀景變革與時代脈絡。

A place becomes a landscape through the convergence of multiple conditions: settlement patterns, structures of governance, and ways of seeing accumulated over time. Together, these factors shape how the landscape is understood and remembered, while also informing our imagination of nature, geography, and human culture.

From scenic postage stamps drawn by designer Lee Kwang Chi, and published by the government, to contemporary official livestream platforms broadcasting footage from surveillance cameras at tourist sites, artist Lu Chih Kai has long been concerned with how landscape is constructed through different technical conditions. By capturing, pre-recording, and recomposing real-time images from scenic locations across Taiwan, he reflects on the relationships among the body, the interface, and the site itself.

This exhibition presents four works, beginning with Setting Scenery: Mirror Test (2024), an intervention into on-site surveillance imagery, and extending to Rain Scene 01: Shitiping and Rain Scene 02: Taipei 101, which explore the sensory passage between the inside and outside of the screen, as well as Overlapping Sketches, where scenic images and modes of viewing from different periods are brought into renewed superimposition.

Under the arrangements of institutions, media, and framing positions, landscape gradually becomes a recognizable visual logic. Through these videos, actions, installations, and found objects, Setting Scenery reveals the shifts in ways of seeing that underlie landscape, together with the historical conditions from which they emerge.

製作團隊

A. 設定風景：鏡面測試
攝影 呂妙盈
剪輯 魯志楷、呂妙盈
支架設計 呂坤彧

B. 雨景01：石梯坪 & 雨景02：台北101
裝置設計 沈宇軒

C. 重疊寫生
導演  魯志楷
編劇  魯志楷
主演  李光棋
製片  呂妙盈
攝影  趙若彤、楊子逸、魯志楷
聲音  陳臨霜
劇照  蔡億諠
剪輯  魯志楷
調光  楊子逸
場地協力  郵政博物館、樹林家樂福
正片提供 李光棋
正片攝影 呂妙盈

D. 展覽製作
視覺設計  呂妙盈
展務技術執行  呂坤彧、江卓豫
燈光設計  炆度有限公司
協辦單位  洪建全基金會
贊助單位  國家文化藝術基金會
影像來源  東部海岸國家風景區管理處、臺北市政府觀光傳播局、新北市政府觀光旅遊局、高雄市政府觀光旅遊局、桃園市政府觀光旅遊局、桃園市政府風景管理處、彰化縣政府、金門縣政府、臺東縣政府觀光發展處

特別感謝 魯志麟、李勇志、呂國清、連千惠、鍾國暉

Production List

A. Setting Scenery: Mirror Test
Cinematography: Lu Miao Ying
Editing: Lu Chih Kai, Lu Miao Ying
Rig Design: Lu Kun Yu

B. Rain View No.1: Shitiping &  Rain View No.2: Taipei 101
Installation Design: Shen Yu Hsuan

C. Overlapping Sketch
Director: Lu Chih Kai
Screenwriter: Lu Chih Kai
Starring: Li Kuang Chi
Producer: Lu Miao Ying
Cinematography: Chao Jo Tung, Yang Tzu Yi, Lu Chih Kai
Sound: Chen Lin Shuang
Still Photography: Tsai Yi Hsuan
Editing: Lu Chih Kai
Color Grading: Yang Tzu Yi
Location Support: Postal Museum, Shulin Carrefour
Film Provided by: Li Kuang Chi
Film Photography: Lu Miao Ying

D. Exhibition Production
Visual Design: Lu Miao Ying
Exhibition Technical Execution: Lu Kun Yu, Chiang Cho Yu
Lighting Design: Wendu Co., Ltd.
Co-organizer: Hong Foundation
Sponsor: National Culture and Arts Foundation

Footage Courtesy of
East Coast National Scenic Area Headquarters
Department of Information and Tourism, Taipei City Government
Tourism and Travel Department, New Taipei City Government
Tourism Bureau, Kaohsiung City Government
Department of Tourism, Taoyuan City Government
Taoyuan Scenic Area Administration
Changhua County Government
Kinmen County Government
Tourism Development Department, Taitung County Government

Special Thanks
Lu Chih Lin, Li Yung Chih, Lu Kuo Ching, Lien Chien Hui, Chung Kuo Hui

︎展覽評論

︎影像背後的行動現場：《設定風景》的設定問題與魯志楷的隱性工作術

︎攝像與寫生：魯志楷「設定風景」的感知方法