浪漫製造 How to be Romantic
空間裝置
Space Installation尺寸依場地大小而定
Dimensions Variable
2023
The project "How To Be Romantic" embarks from my intrinsic realm of perception to deeply explore the term "romance".Employing an amalgamation of diverse media, I interweave environment, space, and corporeality, meticulously seeking avenues to express sensibility within the material realm. The series centered around chalks extend as a response to this very consciousness. Set the drilled chalk as a practical approach. I consider the process of breaking during drilling as a failure, and drilling through as a success, to successfully drill one chalk per day for a total of forty days, conveniently matching the quantity in a box of chalks). Each pencil successfully drilled through is labeled with the date and sealed in a vacuum bag, with its internal powder imprinted on A5 black cards. Meanwhile, the chalks that failed during the production process are collected in a glass jar, becoming the accumulating relics of the consumption process.
My enduring curiosity resides in the intricate interplay of behavioral continuity, bodily measurements, and internal experiences. I engage my own body, conducting both external deconstruction and internal exploration of materials.I reveal the residual traces within the "void" and the essence contained within, conjuring forth the absence of my body and evoking the imaginative experiences projected. The shifting origin point relative to the path impressed after continuous movement alludes to the results generated by the iterative gestures of the body throughout the creative process. Amidst the accumulation of footprints and chalk dust, the seamless continuity of time materializes like overlapping shadows within the two-dimensional realm of paper.
Outer and interior, clarity and haze, fragility and resilience—I erase these binary boundaries gradually, allowing the fluidity and dialectics born from their interaction during the creative process to flow freely within. In this realm, "romance" perhaps no longer remains a mere illusory pact of emotions, but rather, a cycle of futile repetition within reality. "How To Be Romantic" raises inquiries through its title, inviting viewers to contemplate interpretations of sensory experience and offering a canvas for all to redefine.
從自身內在的感知經驗出發，對「浪漫」一詞進行的描述練習。用不同媒材組合空間與身體之間的交疊，尋找著感性在物質世界中可能的表達。此作由粉筆為母題展開的一系列靜態、動態組件所構成，試著攪動粉筆功能性與場域性的既定框架，使其成為消融人造、真實風景之間距離的中介物。設定電鑽粉筆為行動操演的實踐方式，視鑽洞過程破碎為失敗，鑽通整枝粉筆為成功，並以一天鑽洞成功一枝為目標（持續四十天，剛好為一盒粉筆的數量）。每日成功鑽過的一枝粉筆，被標註日期，並放入真空袋中密封，其內部粉末則被拓印在A5黑卡上，而製作期間失敗的粉筆都被收集至玻璃罐裡成為消耗過程的積累遺跡。
我一直對於行為連續性、身體測度與內在經驗的連結感興趣，以自我的身體介入，對物質進行外部的解構與內部探勘，揭示了「洞」自身與洞中材質的遺留，再現自身不在場的身體以及投射於觀者的想像經驗。粉末飄散於表面的俯視、粉塵作為沈澱物的縱向累積，原點相對於不斷位移、壓印之後的路徑，皆暗示創作時身體重複行為所致的產出，在足跡和粉塵的堆砌之中，連續的時間性宛若疊影般呈現在紙上的二維象限。
外廓與內部、清晰與朦朧、脆弱與堅固，我試著將這些二元邊界逐漸抹去，兩者在創作過程中所產生的流動與辯證，終在這件作品裡被自由地展開。「浪漫」也許不再只是一個情感承諾的虛像，而是在現實中的徒勞重複。
〈巧克白〉，丸石純石膏、真空袋、黑卡紙*40
Chalk White，Maruishi crystal rock on black card and
vacuum packaging ，平面 Black Card：14.8 x 21 cm *40；
真空袋 Vacuum Packaging：7 x 10 cm*40
〈隧道〉，行為錄像、丸石純石膏、玻璃、雕塑
Tunnel，Performance Video、Maruishi crystal rock on the glass
bottle、Sculpture，Video：6′07′′；Sculpture：70 x 19 x 19 cm
〈降雪〉，
單頻道錄像
Single-channel video ，7′18′′
〈瀑布〉，攝影、藝術微噴於珍珠面 RC 相紙(一組三張)
Waterfall，Photography、Cansonpremium Lustre RC，
40X60cm(Each)
